'The Hateful Eight' is Tarantino's best in years

The Hateful Eight (2015, directed by Quentin Tarantino. U.S.A. English, Color, 187 minutes [roadshow version])

Admittedly, I haven't been a fan of Quentin Tarantino's most recent films. 

Though a majority of film buffs think his 2007 effort "Death Proof" is his worst film, I think that B-movie throwback to kick ass racing chicks is one of his best. It was with that film a new wave of Tarantino came into play: the direct homage.

Following "Death Proof" was the Nazi revenge tale "Inglourious Basterds" and then the slave revenge talker "Django Unchained". I wasn't a huge fan of the latter selections, finding them overly talky and extremely violent lackluster efforts as Tarantino pays homage to the similarly-titled 70's films he took the plots that he replaced with his stylized conversations. 

Anyone can rehash something and add tons of violence to it, but who cares? 

When I saw the trailer for "The Hateful Eight" came out, I didn't even watch it, but commenters on IMDb said it would be another movie filled with tons of talking and some violence. That sounded accurate, and I wasn't terribly motivated to see it.

The commenters were right, so right, and in the best (worst?) possible way.

'Fifty Shades,' Wiz Khalifa Tunes among 74 Vying for Oscar

AMPAS

LOS ANGELES, CA – The Academy of Motion Picture Arts and Sciences today announced that 74 songs from eligible feature-length motion pictures released in 2015 are in contention for nominations in the Original Song category for the 88th Academy Awards®. The original songs, along with the motion picture in which each song is featured, are listed below in alphabetical order by film title and song title: "Happy" from "Altered Minds" "Home" from "Alvin and the Chipmunks: The Road Chip" "None Of Them Are You" from "Anomalisa" "Stem To The Rose" from "Becoming Bulletproof" "The Mystery Of Your Gift" from "Boychoir" "I Run" from "Chi-Raq" "Pray 4 My City" from "Chi-Raq" "Sit Down For This" from "Chi-Raq" "Strong" from "Cinderella" "So Long" from "Concussion" "Fighting Stronger" from "Creed" "Grip" from "Creed" "Waiting For My Moment" from "Creed" "Don't Look Down" from "Danny Collins" "Hey Baby Doll" from "Danny Collins" "Dreamsong" from "The Diary of a Teenage Girl" "It's My Turn Now" from "Dope" "Ya Rahem, Maula Maula" from "Dukhtar" "Earned It" from "Fifty Shades of Grey" "Love Me Like You Do" from "Fifty Shades of Grey" "Salted Wound" from "Fifty Shades of Grey" "Hands Of Love" from "Freeheld" "See You Again" from "Furious Seven" "Brother" from "Godspeed: The Story of Page Jones" "As Real As You And Me" from "Home" "Dancing In The Dark" from "Home" "Feel The Light" from "Home" "Red Balloon" from "Home" "Two Of A Crime" from "Hot Pursuit" "Til It Happens To You" from "The Hunting Ground" "I'll See You In My Dreams" from "I'll See You in My Dreams" "The Movie About Us" from "Ingrid Bergman – In Her Own Words" "Bhoomiyilenghanumundo" from "Jalam" "Koodu Vaykkan" from "Jalam" "Pakalppaathi Chaari" from "Jalam" "Yaathra Manoradhamerum" from "Jalam" "Lost In Love" from "Jenny's Wedding" "True Love Avenue" from "Jenny's Wedding" "Hypnosis" from "Kahlil Gibran's The Prophet" "Juntos (Together)" from "McFarland, USA" "The Light That Never Fails" from "Meru" "The Crazy Ones" from "Miss You Already" "There's A Place" from "Miss You Already" "Johanna" from "Mortdecai" "Little Soldier" from "Pan" "Something's Not Right" from "Pan" "Paranoid Girl" from "Paranoid Girls" "Better When I'm Dancin'" from "The Peanuts Movie" "Pink & Blue" from "Pink & Blue: Colors of Hereditary Cancer" "Flashlight" from "Pitch Perfect 2" "Birds Of A Feather" from "Poached" "Still Breathing" from "Point Break" "Manta Ray" from "Racing Extinction" "Cold One" from "Ricki and the Flash" "Torch" from "Rock the Kasbah" "Someone Like You" from "The Rumperbutts" "Aankhon Me Samaye Dil" from "Salt Bridge" "Bachpana Thaa" from "Salt Bridge" "Kanpne Lage Tum" from "Salt Bridge" "Kyaa Bataaun Tujhe" from "Salt Bridge" "Le Jaaye Jo Door Tumse" from "Salt Bridge" "Na Jaane Kitni Door" from "Salt Bridge" "Sookha Hi Rang Daalo" from "Salt Bridge" "Feels Like Summer" from "Shaun the Sheep Movie" "Phenomenal" from "Southpaw" "Writing's On The Wall" from "Spectre" "Squeeze Me" from "The SpongeBob Movie: Sponge out of Water" "Teamwork" from "The SpongeBob Movie: Sponge out of Water" "Who Can You Trust" from "Spy" "Came To Win" from "Sweet Micky for President" "Mean Ol' Moon" from "Ted 2" "Love Was My Alibi" from "The Water Diviner" "Fine On The Outside" from "When Marnie Was There" "Simple Song #3" from "Youth"

During the nominations process, all voting members of the Music Branch will receive a Reminder List of works submitted in the category and a DVD copy of the song clips.  Members will be asked to watch the clips and then vote in the order of their preference for not more than five achievements in the category.  The five achievements receiving the highest number of votes will become the nominations for final voting for the award.  A maximum of two songs may be nominated from any one film.

To be eligible, a song must consist of words and music, both of which are original and written specifically for the film.  A clearly audible, intelligible, substantive rendition of both lyric and melody must be used in the body of the film or as the first music cue in the end credits.

The 88th Academy Awards nominations will be announced live on Thursday, January 14, 2016, at 5:30 a.m. PT at the Academy’s Samuel Goldwyn Theater in Beverly Hills.

The 88th Oscars^® will be held on Sunday, February 28, 2016, at the Dolby Theatre^® at Hollywood & Highland Center^® in Hollywood, and will be televised live by the ABC Television Network at 7 p.m. ET/4 p.m. PT.  The Oscar presentation also will be televised live in more than 225 countries and territories worldwide.

'Carol', 'Outlander' lead Golden Globe nominations

1. Chloe Grace Moretz helped announce the nominees for the 73rd Golden Globe Awards on Dec. 11. Getty

Best Motion Picture – Drama

Carol

Mad Max: Fury Road

The Revenant

Room

Spotlight

Best Performance by an Actress in a Motion Picture – Drama

Cate Blanchett, Carol

Brie Larson, Room

Rooney Mara, Carol

Saoirse Ronan, Brooklyn

Alicia Vikander, The Danish Girl

Best Performance by an Actor in a Motion Picture – Drama

Bryan Cranston,                Trumbo

Leonardo Dicaprio, The Revenant

Michael Fassbender, Steve Jobs

Eddie Redmayne, The Danish Girl

Will Smith, Concussion

Best Motion Picture – Musical Or Comedy

The Big Short

Joy

The Martian

Spy

Trainwreck

Best Performance by an Actress in a Motion Picture – Musical or Comedy

Jennifer Lawrence, Joy

Melissa Mccarthy, Spy

Amy Schumer, Trainwreck

Maggie Smith, The Lady in the Van

Lily Tomlin, Grandma

Best Performance by an Actor in a Motion Picture – Musical or Comedy

Christian Bale, The Big Short

Steve Carell, The Big Short

Matt Damon, The Martian

Al Pacino, Danny Collins

Mark Ruffalo, Infinitely Polar Bear

Helen Mirren, "Trumbo" lead 22nd SAG movie nominations

SAG-AFTRA

With no film taking a massive lead in nominations for the 22nd Annual Screen Actors Guild Awards, the bio-pic "Trumbo" crept in with a leading three nominations. 

The cast was nominated for outstanding performance by a cast in a motion picture, with Bryan Cranston earning a lead male actor nod as the titular, blacklisted Hollywood writer, and Helen Mirren getting a supporting female actor mention.

In addition to her leading female actor nod for her work in "Woman in Gold," Mirren received three nominations overall, the most of any performer this year.

"Trumbo" competes against "Beasts of no Nation," The Big Short," "Spotlight," and "Straight Out of Compton" for the film cast prize.

While Mirren leads among all in film categories only, Idris Elba picked up three bids as well as a cast member in "Beasts of No Nation", a supporting film bid for the same role, and as a lead in the miniseries/TV movie category for "Luther."

Winners will be announced live on TNT and TBS on Jan. 30, 2016 at 8 p.m.

Outstanding Performance by a Male Actor in a Leading Role

BRYAN CRANSTON / Dalton Trumbo – “TRUMBO” (Bleecker Street)

JOHNNY DEPP / James "Whitey" Bulger – “BLACK MASS” (Warner Bros. Pictures)

LEONARDO DiCAPRIO / Hugh Glass – “THE REVENANT” (20th Century Fox)

MICHAEL FASSBENDER / Steve Jobs – “STEVE JOBS” (Universal Pictures)

EDDIE REDMAYNE / Einar Wegener/Lili Elbe – “THE DANISH GIRL” (Focus Features)

Outstanding Performance by a Female Actor in a Leading Role

CATE BLANCHETT / Carol Aird – “CAROL” (The Weinstein Company)

BRIE LARSON / Ma – “ROOM” (A24)

HELEN MIRREN / Maria Altmann – “WOMAN IN GOLD” (The Weinstein Company)

SAOIRSE RONAN / Eilis – “BROOKLYN” (Fox Searchlight Pictures)

SARAH SILVERMAN / Laney Brooks – “I SMILE BACK” (Broad Green Pictures)

Outstanding Performance by a Male Actor in a Supporting Role

CHRISTIAN BALE / Michael Burry – “THE BIG SHORT” (Paramount Pictures)

IDRIS ELBA / Commandant – “BEASTS OF NO NATION” (Netflix)

MARK RYLANCE / Abel Rudolph – “BRIDGE OF SPIES” (DreamWorks)

MICHAEL SHANNON / Rick Carver – “99 HOMES” (Broad Green Pictures)

JACOB TREMBLAY / Jack – “ROOM” (A24)

Outstanding Performance by a Female Actor in a Supporting Role

ROONEY MARA / Therese Belivet – “CAROL” (The Weinstein Company)

RACHEL McADAMS / Sacha Pfeiffer – “SPOTLIGHT” (Open Road Films)

HELEN MIRREN / Hedda Hopper – “TRUMBO” (Bleecker Street)

ALICIA VIKANDER / Gerda Wegener – “THE DANISH GIRL” (Focus Features)

KATE WINSLET / Joanna Hoffman – “STEVE JOBS” (Universal Pictures)

Outstanding Performance by a Cast in a Motion Picture

BEASTS OF NO NATION (Netflix)

THE BIG SHORT (Paramount Pictures)

SPOTLIGHT (Open Road Films)

STRAIGHT OUTTA COMPTON (Universal Pictures)

TRUMBO (Bleecker Street)

58th Annual Grammy Nominations

Album of the Year
Sound & Color, Alabama Shakes
Beauty Behind the Madness, The Weeknd
1989, Taylor Swift
Traveller, Chris Stapleton
To Pimp a Butterfly, Kendrick Lamar

Record of the Year
"Blank Space," Taylor Swift
"I Can't Feel My Face," The Weeknd
"Really Love," D'angelo and the Vanguard
"Thinking Out Loud," Ed Sheeran
"Uptown Funk," Mark Ronson f/ Bruno Mars

Song of the Year
"Blank Space" (Taylor Swift)
"Alright" (Kendrick Lamar)
"Girl Crush" (Little Big Town)
"See You Again" (Wiz Khalifa f/ Charlie Puth)
"Thinking Out Loud"" (Ed Sheeran)

Best New Artist
Courtney Barnett
James Bay
Sam Hunt
Tori Kelly
Meghan Trainor

Best Pop Solo Performance
"Blank Space," Taylor Swift
"Can't Feel my Face," The Weeknd
"Heartbreak Song," Kelly Clarkson
"Love me Like you do," Ellie Goulding
"Thinking out Loud," Ed Sheeran

Best Pop Duo/Group Performance
"Ship To Wreck,"  Florence + The Machine
"Sugar,  Maroon 5
"Uptown Funk," Mark Ronson Featuring Bruno Mars
"Bad Blood," Taylor Swift Featuring Kendrick Lamar
"See You Again," Wiz Khalifa Featuring Charlie Puth

Best Pop Album
1989, Taylor Swift
Before This World, James Taylor
How Big, How Blue, How Beautiful, Florence + The Machine
Piece by Piece, Kelly Clarkson
Uptown Special, Mark Ronson

CBS This Morning to kick off 58th Grammy Nominations announcement

The Recording Academy announced Wednesday morning specifics on how nominees will be announced for the 58th Annual Grammy Awards.

On Dec. 7, the nominees in the general field categories (record of the year, album of the year, song of the year and best new artist) will be announced live on CBS This Morning at 8:15, with the nominees in 79 categories to be announced through a press release at 8:30 and on Grammy.com.

This year's announcement will be far quicker than last year's, where it was an all day affair starting in the morning, with sporadic announcements made through the afternoon. The album of the year nominations were announced live that night, with a complete list of nominees announced soon after.

Over 21,000 submissions were received for the annual kudos fest honoring the best in music for the calendar year running from Oct. 1, 2014 to Sept. 31, 2015.

The 58th Annual Grammy Awards airs live on CBS on Feb. 15, 2016.

Book Review: 'Rebound Remedy' a cure for broken hearts

Rebound Remedy (Written by Christine d'Abo. 155 pages, Riptide Publishing)

"Rebound Remedy" was a book I heard about from one of my friends who's a book reviewer. She mentioned to me about a month or two ago about this gay romance story written by a woman. From the jump, it sounded like a silly endeavor. A woman writing gay fiction? Sounded like a miss (even though I don't know the first thing about gay fiction).

While on vacation, she fished it out of her big plastic storage container filled with smutty romance novels she had read, or planned to read.

I picked it up and started reading and found myself quickly immersed in the story. Set in the Toronto metro area, Cole is heartbroken just weeks before Christmas when his boyfriend is proposed to by his ex-boyfriend as he and Cole prepare to fly out for a nice holiday vacation.

24th Philadelphia Film Festival, Day 11: Final day, final nerves!

It was the last day for this year's Philadelphia Film Festival, and boy what a day it was.

I was ready to sit through films 17-20 for this year's outing, but for reasons beyond my control I was not totally ready for it.

I started off with "Kilo Two Bravo", a BAFTA-nominated film about the true story of a group of British soldiers trapped in an abandoned mine field near the Kajaki Dam in Afghanistan. Michael Lerman, artistic director of the festival, said it was "10 times" more intense than the similar-ish "The Hurt Locker". That is no joke.

With the wrong step anyone could be blown up in this small piece of desert. Let me tell you, I was so pent up waiting for a bomb to go off at any second I wanted to leave the theater. "Kilo Two Bravo" is incredibly tense it was almost uncomfortable, but how could you look away!? You needed to know what was going to happen to this group of (mostly) GQ-wannabe guys. The ending was incredibly hooky, full of title cards on the real soldiers and a horribly Hallmark-esque song playing underneath it. There was a few shots before the end that would have been the most perfect ending, but it went for cheese factor instead.

After self-diagnosing myself with PTSD from "Kilo Two Bravo", I enjoyed a great train ride on the Empire Builder courtesy of the documentary "In Transit".

24th Philadelphia Film Festival, Days 9 and 10: Closing Night Attack on Michael Moore, running with the best.

Closing night of the festival. The night where a non-publicized jury of people come up with a slate of winners for what was the best in the festival, even announcing winners of films that hadn't yet played at the fest. I think that's extremely odd, but whatever. I don't call the shots on what they do that. What's more weird is that it isn't actually held on the last day. Err, OK?

I'd put a list of the winners, but most were just honorable mention selections. How does one earn an honorable mention if there are no bigger winners above it. Wouldn't it just make them the best since they're the only one to win for a specific reason?

I think the festival's "jury", which could be a lottery machine that draws an award category and a film title at random and calls them winners, is an unnecessary part of a festival like Philadelphia. There are no big premieres, and I'm sure these "jurors" have already seen everything that plans to play here and just talks about it before the start of the fest and makes their decisions.

But seriously, honorable mention status without any other winners for a specific award? That's one of the dumbest things I've ever head at a fest. It's like agreeing nothing at the Cannes Film Festival is good and their jury, which is always announced publicly, hands out sad certificates of appreciation.

"You weren't the best, so we had to give out something. Here's an honorable mention certificate for trying."

24th Philadelphia Film Fest, Days 7 and 8: Gloomy Wednesday, 'Taxi' Thursday

Oy, what a wet day Wednesday was. It just seemed to rain all darn day. So what better way to lift the mood than to see a movie about teenage suicide!?

"Bridgend" was my only selection for the festival's seventh day, and it's a fictionalized account about
a real town in Wales where 79 teenagers committed suicide from 2007 to 2012. A girl named Sarah moves there with her police officer father, and the quiet, horse-rider soon falls in with a group of rambunctious teenagers who aren't total normal underneath their partying ways.

The premise is eerily intriguing: a "cult" of teenagers who one-by-one kill themselves in a secluded forest. What is so damning about this film is that instead of focusing on the teenagers, a young, quiet protagonist girl is inserted into the story and it turns into a coming-of-age bit, so much so that her father asks her "What is happening to you?", a line almost always said by a parental figure to the main character in a film like this.

Sarah's adventure with this dark group isn't anything new, and barely holds a flame to films like "Kids" and "Thirteen", it's just a way to break into the story of why are these kids committing suicide?

Like in real life, the film has no answers for it.

24th Philadelphia Film Fest, Day 4: A day of great choices

Note to self: check the public trans schedule about an hour before you plan on leaving. That would be pretty helpful.

Aside from that slight hiccup at the start of my day, the fourth day of the Philadelphia Film Festival was the best one yet. Instead of seeing four films like I wanted, I opted for three. I was just too darn tired.

The start of this eventual great day was "Remember", a film I had not heard about before. The festival program guide says it's about a guy who seeks out the Nazi who killed he and his wife's families at Auschwitz.

"Remember" features a standout turn by Christopher Plummer as the man on the cross-country hunt to kill this Nazi. He portrays the dementia-afflicted man with a delicate touch of warmth and sadness. This is a film that had everyone shocked, and if you see, you'd understand why.

Not your standard rinse and repeat Holocaust movie.

24th Philadelphia Film Fest, Days 2 and 3: Having a 'Cannes' do attitude

This may be only the second time of sitting in theaters for hours a day watching movies, a.k.a., enduring the best of a film festival. And for me, Philadelphia's annual fest devoted to international and local cinema is the only place I do it... for now.

But the some feeling kicks in days before it starts: do I really have the energy to endure four movies a day for the first few days of the fest? In my head I say no, but by the third movie of each day my body is programmed to endure it. It also doesn't mean that I don't feel like nodding off during the third movie, either. Whoops.

So with day one of the festival off to a smashing start with "Anomalisa", I grabbed my badge and tickets (for select screenings not covered with my badge) and headed downtown for day two, Oct. 21.

24th Philadelphia Film Fest, Day 1: "Anomalisa" shines as opener!

Yay, the Philadelphia Film Festival has officially started!

After weeks since announcing the fest's lineup the anticipation can finally start to dissipate as local cinephiles can start their marathon moviewatching.

The festival's opening night activities appeared to go off without a hitch, and what a fabulous event that sounded like. The red carpet, the party, and all sorts of luxuriation that comes with it.

It started off with two screenings of "Anomalisa", the award-winning, stop-motion animation film from Charlie Kaufman and Duke Johnson, at the Prince Theater at 6 and 8:30. There seemed to be a flood of interest for the 8:30 screening since it was announced that Kaufman and Johnson would be in person to have a Q&A segment after that showing of their film, and they would be honored with the fest's artistic achievement award. Of course there were email updates saying this screening was sold out, rush tickets were available and blah blah blah.

'Spotlight'ing the 'Truth': Journalism in Cinema, 2015

Boston Globe/Entertainment One

Who knew 2015 would become a hit year for journalism in cinema?

It started off with the little seen Jonah Hill pic "True Story", and now two more films about the truth-seeking industry are being released in the heat of Oscar season: "Spotlight" and "Truth".

Both films take place around the same time, early- to mid-2000's, but they couldn't be anymore different. "Spotlight" is an underdog story of sorts about a group of watchdog journalists at The Boston Globe taking down the Roman Catholic Archdiocese of Boston, and "Truth" is a group of television legends at CBS covering up their "errors" in a report about Pres. George W. Bush's time in the National Guard.

Neither of these holds a flame to the paramount journalism film "All the President's Men", but damn if they aren't good. And how suiting is it for Robert Redford to star as Bob Woodward in "ATPM" and now portray Dan Rather in "Truth"? Redford is definitely an iconic part of the world of journalism, and that's not even his profession.

At the core of both of these films is the hunt for facts, the hallmark of journalism.

Charlie Kaufman, Todd Haynes to appear at Philly Film Fest

Organizers of the 24th Philadelphia Film Festival announced Thursday that Charlie Kaufman and 30 other special guests will be in attendance for certain screenings during the duration of the 11-day festival.

Following the 8:30 screening of their festival-opening film "Anomalisa" at the Prince Theater, directors Kaufman and Duke Johnson will participate in a Q&A following the screening, and will be feted with the festival's artistic achievement award: Kaufman for his "incredibly imaginative writing" and Johnson for his work in animation that culminated in "the revolutionary stop-motion animated work of art 'Anomalisa'".

The festival also announced a Charlie Kaufman Retrospective section has been added to the festival line-up at the Prince Theater, which will showcase all of his titles: "Adaptation"; "Being John Malkovich"; "Confesstions of a Dangerous Mind"; "Eternal Sunshine of the Spotless Mind"; "Human Nature"; and "Synecdoche, New York".

The retrospective has not yet been scheduled.

In addition to previously announced guest Michael Moore during the closing night showing of his latest film "Where to Invade Next"at the Prince Theater, director Todd Haynes ("Carol") is scheduled to appear, as is Gaspar Noé ("Love", "Irreversible"), actress Zoë Bell ("Camino") and Jamie Kennedy ("Scream").

Below is the full line-up of guests scheduled to attend. All information is subject to change.

Patricia Riggen, Director, The 33

Charlie Kaufman, Director, Anomalisa

Duke Johnson, Director, Anomalisa

Kevin Kerslake, Director, As I AM: The Life and Times of DJ AM

Brian Klugman, Director, Baby Baby Baby

David April, Subject, Beer Runners

Justin Wirtalla, Director, Beer Runners

Erik Shirai, Director, The Birth of Sake

Josh C. Waller, Director, Camino

Zoë Bell, Actor, Camino

Todd Haynes, Director, Carol

Rick Alverson, Director, Entertainment

Alison Bagnall, Director, Funny Bunny

Tara Culp, Producer, Funny Bunny

Greg Koh, Director, The Great Alone

Lynn True, Director, In Transit

Erika Frankel, Director, King Georges

Georges Perrier, Subject, King Georges

Jeffrey Loeb, Producer, A Light Beneath Their Feet

Gaspar Noé, Director, Love

Jessica Edwards, Director, Mavis!

Jay Dockendorf, Director, Naz and Maalik

Noah Pritzker, Director, Quitters

Ben Hickernell, Director, A Rising Tide

Jamie Kennedy, Actor, Scream

David Felix Sutcliffe, Director, (T)error

Christopher K. Walker, Director, Welcome to Leith

Marilyn Cohen, Executive Producer, When Voices Meet

Sharon Katz, Subject, When Voices Meet

Nonhlanhla Wanda, Subject, When Voices Meet

Michael Moore, Director, Where to Invade Next

Philadelphia Film Festival ready to kick off 24th year

From Oct. 22 to Nov. 1, lovers of film are expected to see something  at the 24th Philadelphia Film Festival  (PFF) the promotional materials says they’ll “never forget”, and with over 130 different feature and short film options to choose from, that statement couldn’t be more true.

Starting with the opening night film, Charlie Kauffman’s award-winning stop-motion feature “Anomalisa”, to Michael Moore’s latest documentary feature “Where to Invade Next” capping off the 11-day fest, the festival will include the best, and, perhaps, divisive, works of cinema from around the globe in a crowded assembly where internationally renowned directors share the spotlight with Philadelphia-based talent as they tell stories that break out beyond conventional boundaries.

“This year is probably the strongest year since I’ve been working there,” said the festival’s artistic director Michael Lerman. “It was interesting because while I was putting it together it was unclear looking at bits and pieces how it was going to turn out, and then it all seemed to come together at the last minute.”

Over 130 Films Slated for 24th Philly Film Festival

The Philadelphia Film Society is proud to announce the full film line-up of the 24^th Philadelphia Film Festival, spanning from October 22 – November 1 on 6 theater screens throughout the Greater Philadelphia area.

Opening on October 22^nd with Anomalisa and closing on October 30 with Where to Invade Next, the 11-day Philadelphia Film Festival will locally premiere over 130 feature length and short films, curated by our programming committee that travels to festivals around the world, all year long, to officially select each film in the program. 

“I’m thrilled with this year’s fantastic line-up of films, bringing so many incredible features and shorts from around the world to Philadelphia for our 24^th edition,” said Executive Director J. Andrew Greenblatt.  “From our Opening Night screening of the Venice Grand Prize winner Anomalisa to the Closing Night screening of master documentarian Michael Moore’s Where to Invade Next, this year’s slate is not only incredibly strong and diverse, but fully represents what a film festival truly is: the gathering of a community of film lovers experiencing some of the most exciting, challenging, innovative, prestigious and thought-provoking films of the year, with many of the artists behind these films in attendance.”

"It’s bursting at the seams!” said Michael Lerman, Artistic Director.  "With our biggest program in several years, we’re very lucky to be showcasing a collection of work that is overstuffed with gems, featuring over twenty works from world renowned directors (including our bold and fantastic opening and closing night selections) along with plenty of great surprises from first timers."

The Philadelphia Film Society is honored that Michael Moore, the Academy-Award winning filmmaker and best-selling author behind Fahrenheit 9/11 and Bowling for Columbine, will be joining  the #PFF24 Closing Night Celebration at the Prince Theater.

The full Festival schedule and digital Festival Program Guide is available now on www.filmadelphia.org/festival. 

Screenings for the 24^th Philadelphia Film Festival will take place at the Ritz East (125 S. 2nd St, Philadelphia, PA 19106), Ritz at the Bourse (400 Ranstead St, Philadelphia, PA 19106), PFS Roxy Theater (2023 Sansom Street, Philadelphia, PA 19103), and Prince Theater (1412 Chestnut St, Philadelphia, PA 19102). Tickets will go on-sale for Philadelphia Film Society members on Friday, October 2, and to the general public beginning Monday, October 5.  Tickets may be purchased through the Festival website, www.filmadelphia.org/festival, or in-person at the Main Box Office at the Prince Theater (open Monday – Saturday from 12 noon to 5:00 pm).

24^th Philadelphia Film Festival Full Line-up

Opening Night Film

·         Anomalisa, Director Charlie Kaufman, Duke Johnson. 2015, USA.

Closing Night Film

·         Where To Invade Next, Director Michael Moore. 2015, USA.

Centerpiece Screenings

·         Brooklyn, Director John Crowley. 2015, Ireland, UK.

·         Carol, Director Todd Haynes. 2015, USA, UK.

·         Our Brand Is Crisis, Director David Gordon Green. 2015, USA.

·         Room, Director Lenny Abrahamson. 2015, Ireland, Canada.

·         A Royal Night Out, Director Julian Jarrold. 2015, UK.

·         Youth, Director Paolo Sorrentino. 2015, Italy.

From the Vaults: Film history comes alive as it was meant to be seen - on the big screen. Come see old favorites bigger than life once again.

·         Life of Brian, Director Terry Jones.  1979, UK.

·         The Memory of Justice, Director Marcel Ophuls.  1976, UK, USA, Germany.

·         My Sex Life…or How I Got Into An Argument, Director Arnaud Desplechin.  1996, France.

·         Raiders of the Lost Ark: The Adaptation, Director Eric Zala. 1989, USA.

A Very Scary Sleepover: Wes Craven’s Halloween Nightmare

·         Freddy’s Dead: The Final Nightmare, Director Rachel Talalay. 1991, USA.

·         The Hills Have Eyes, Director Wes Craven. 1977, USA.

·         The Last House on the Left, Director Wes Craven. 1972, USA.

·         New Nightmare, Director Wes Craven. 1994, USA.

·         A Nightmare on Elm Street 2: Freddy’s Revenge, Director Jack Sholder. 1985, USA.

·         A Nightmare on Elm Street 3: Dream Warriors, Director Chuck Russell. 1987, USA.

·         A Nightmare on Elm Street 4: The Dream Master, Director Renny Harlin. 1988, USA.

·         A Nightmare on Elm Street 5: The Dream Child, Director Stephen Hopkins. 1989, USA.

·         A Nightmare on Elm Street, Director Wes Craven. 1984, USA.

·         The People Under the Stairs, Director Wes Craven. 1991, USA.

·         Scream, Director Wes Craven. 1996, USA.

Spotlights, Presented by Philadelphia Magazine: Highly–anticipated movies from some of the biggest names in the industry, these films shine a spotlight on top talent from around the world.

·         The 33, Director Patricia Riggen. 2015, Chile, Columbia.

·         Camino, Director Josh C. Waller. 2015, USA.

·         James White, Director Josh Mond. 2015, USA.

·         Legend, Director Brian Helgeland. 2015, UK.

·         The Lobster, Director Yorgos Lanthimos. 2015, Ireland, UK.

·         Macbeth, Director Justin Kurzel. 2015, UK.

·         Man Up, Director Ben Palmer. 2015, UK.

·         Monty Python’s The Meaning of Live, Director Terry Jones, Terry Gilliam. 2015, UK

·         The Program, Director Stephen Frears. 2015, UK.

·         Remember, Director Atom Egoyan. 2015, Canada, Germany.

Masters of Cinema, Presented by Comcast: These new films exemplify the masterful work of world-renowned filmmakers as they continue to thrill and inspire audiences with cutting-edge features.

·         The Club, Director Pablo Larrain. 2015, Chile.

·         Dheepan, Director Jacques Audiard. 2015, France.

·         In the Shadow of Women, Director Philippe Garrel. 2015, France.

·         In Transit, Directors Albert Maysles, Lynn True, Nelson Walker, Ben Wu, David Usui. 2015, USA.

·         Love, Director Gaspar Noe. 2015, France.

·         Mia Madre, Director Nanni Moretti. 2015, Italy, France.

·         Mountains May Depart, Director Jia Zhang-Ke. 2015, China, Japan, France.

·         My Golden Days, Director Arnaud Desplechin. 2015, France.

·         The Pearl Button, Director Patricio Guzman. 2015, Chile, France, Spain.

·         Sunset Song, Director Terence Davies. 2015, UK, Luxembourg.

·         Tale of Tales, Director Matteo Garrone. 2015, Italy, France, UK.

·         Taxi, Director Jafar Panahi. 2015, Iran.

·         The Treasure, Director Corneliu Porumboiu. 2015, Romania, France.

·         The White Knights, Director Joachim Lafosse. 2015, France, Belgium.

World Narratives, Presented by 6ABC: Explore the world through film with this diverse selection of international cinema that features distinct perspectives and images from around the globe.

·         45 Years, Director Andrew Haigh. 2015, UK.

·         Body, Director Malgorzata Szumowska. 2015, Poland.

·         The Boy and the Beast, Director Mamoru Hosoda. 2015, Japan.

·         Bridgend, Director Jeppe Ronde. 2015, Denmark.

·         Chasuke’s Journey, Director Sabu. 2015, Japan.

·         Guilty, Director Meghna Gulzar. 2015, India.

·         Hedi Schneider Is Stuck, Director Sonja Heiss. 2015, USA, France.

·         The High Sun,  Director Dalibor Matanic. 2015, Croatia, Slovenia, Serbia.

·         Homesick, Director Anne Sewitsky. 2015, Norway.

·         Just Jim, Director Craig Roberts. 2015, UK.

·         Kilo Two Bravo, Director Paul Katis. 2015, UK.

·         Mediterranea, Director Jonas Carpignano. 2015, Italy.

·         Men & Chicken, Director Anders Thomas Jensen. 2015, Denmark.

·         Much Loved, Director Nabil Ayouch. 2015, France, Morocco.

·         Mustang, Director Deniz Gamze Erguven. 2015, France, Germany, Turkey, Qatar.

·         Rams, Director Grimur Hakonarson. 2015, Iceland.

·         The Survivalist, Director Stephen Fingelton. 2015, UK, Northern Ireland.

·         Umrika, Director Prashant Nair. 2015, India.

·         Victoria, Director Sebastian Schipper. 2015, Germany.

·         The Wave, Director Roar Uthaug. 2015, Norway.

New French Films, Presented by TV5Monde: The birthplace of cinema, France continues to produce some of the best movies in the world with films that are funny, daring, sexy and uniquely French.

·         Disorder, Director Alice Winocour. 2015, France.

·         Evolution, Director Lucile Hadžihalilović. 2015, France.

·         Fatima, Director Philippe Faucon. 2015, France.

·         I Am a Soldier, Director Laurent Lariviere. 2015, France.

·         Learn By Heart, Director Mathieu Vadepied. 2015, France.

Spanish Language Stories, Presented by Southwest Airlines: Offering gripping stories and unique perspectives, these Spanish-language films explore a multitude of subjects ranging from the culturally specific to the universal.

·         600 Miles, Director Gabriel Ripstein. 2015, Mexico.

·         El Cinco, Director Adrian Biniez. 2014, Argentina.

·         Embrace of the Serpent, Director Ciro Guerra. 2015, Columbia, Venezuela, Argentina.

·         Ixcanul Volcano, Director Jayro Bustamante. 2015, Guatemala, France

·         Magallanes, Director Salvador del Solar. 2015, Peru, Argentina, Columbia, Spain.

·         Viaje, Director Paz Fabrega. 2015, Costa Rica.

Feast: A delightful tasting menu highlighting contemporary culinary stories from around the globe.

·         An, Director Naomi Kawase. 2015, Japan, France, Germany.

·         Beer Runners, Director Justin Wirtalla. 2014, USA, Spain.

·         The Birth of Sake, Director Erik Shirai. 2015, USA.

·         King Georges, Director Erika Frankel. 2015, USA.

American Independents, Presented by Park Towne Place: Featuring powerful new voices in American cinema, these fresh, gritty films explore a variety of subjects through the filmmaker’s uncompromising vision. All films in this series are a part of the “PFF On Us” free ticketing program.

·         Emelie, Director Michael Thelin. 2015, USA

·         Entertainment, Director Rick Alverson. 2015, USA.

·         Krisha, Director Trey Edward Shults. 2015, USA.

·         Lamb, Director Ross Partridge. 2015, USA.

·         Naz and Maalik, Director Jay Dockendorf. 2014, USA.

·         Quitters, Director Noah Pritzker. 2014, USA.

·         Take Me to the River, Director Matt Sobel. 2015, USA.

Greater Filmadelphia, Presented by Philadelphia Gas Works: Featuring work from some of our finest homegrown filmmakers, this category brings our city and its talent to the big screen.

·         Baby Baby Baby, Director Brian Klugman. 2015, USA

·         The Benefactor, Director Andrew Renzi. 2015, USA.

·         Funny Bunny, Director Alison Bagnall. 2015, USA.

·         A Light Beneath Their Feet, Director Valerie Weiss. 2015, USA.

·         The Prince of Pennsylvania, Director Jesse Vile. 2015, USA, UK.

·         A Rising Tide, Director Ben Hickernell. 2015, USA.

·         When Voices Meet, Director Nancy Sutton Smith. 2015, South Africa, USA.

Documentary Showcase, Presented with support by the Dolfinger-McMahon Foundation: Comprising the best in documentary filmmaking, these compelling films feature everything from stirring character studies to fascinating looks at current global issues.

·         The Great Alone, Director Greg Kohs. 2014, USA.

·         Palio, Director Cosima Spender. 2015, UK, Italy.

·         Peggy Guggenheim – Art Addict, Director Lisa Immordino Vreeland. 2015, USA.

·         Raiders!, Directors Jeremy Coon, Tim Skousen. 2015, USA.

·         Sherpa, Director Jennifer Peedom. 2015, Australia, UK.

·         (T)error, Directors Lyric R. Cabral, David Felix Sutcliffe. 2015, USA.

·         Welcome to Leith, Directors Michael Beach Nichols, Christopher K. Walter. 2015, USA.

Sight and Soundtrack, Presented by KYW1060: Featuring rockumentaries, musician biopics and films that are centered on the unifying power of music.

·         As I AM: The Life and Times of DJ AM, Director Kevin Kerslake. 2015, USA.

·         Breaking a Monster, Director Luke Meyer. 2015, USA.

·         Free Entry, Director Yvonne Kerékgyártó. 2014, Hungary.

·         Hot Sugar’s Cold World, Director Adam Bhala Lough. 2015, USA, France.

·         Mavis!, Director Jessica Edwards. 2015, USA.

The Graveyard Shift: Horror, action, suspense, and the downright weird, these films will keep you awake during the graveyard shift.

·         Baskin, Director Can Evrenol. 2015, Turkey.

·         Demon, Director Marcin Wrona. 2015, Poland, Israel.

·         The Hallow, Director Colin Hardy. 2014, Ireland, UK.

·         The Invitation, Director Karyn Kusama. 2015, USA.

·         SPL 2 – A Time for Consequences, Director Soi Cheang. 2015, Hong Kong.

Short Films

·         Bacon & God’s Wrath, Director Sol Friendman. 2015, Canada.

·         Body Team 12, Director David Darg. 2015, USA.

·         Copycat, Director Charlie Lyne. 2015, UK.

·         The Face of Ukraine: Casting Oksana Baiul, Director Kitty Green. 2014, Australia.

·         The Little Deputy, Director Trevor Anderson. 2015, Canada.

·         Manoman, Director Simon Cartwright. 2015, UK.

·         The Many Sad Fates of Mr. Toledano, Director Joshua Seftel. 2015, USA.

·         {The And}  Marcela & Rock, Director Topaz Adizes. 2015, USA.

·         Myrna the Monster, Director Ian Samuels. 2014, USA.

·         Object, Director Paulina Skibińska. 2015, Poland.

·         Palm Rot, Director Ryan Gillis. 2015, USA.

·         Pink Grapefruit, Director Michael Mohan. 2015, USA.

·         Pop-Up Porno: m4m, Director Stephen Dunn. 2015, Canada.

·         Storm Hits Jacket, Director Paul Cabon. 2014, France.

·         The Sun Like a Big Dark Animal, Directors Chris Felisgrau, Ronnie Rivera. 2015, USA.

·         Superior, Director Erin Vassilopoulos. 2015, USA.

·         Tatuape Mahal Tower, Directors Carolina Markowicz, Fernanda Salloum. 2014, Brazil.

·         Teeth, Directors Tom Brown, Daniel Gray. 2015, USA, Hungary, UK.

·         Tose: The Movie, Director Mike Tollin. 2015, USA.

·         Two Films About Loneliness, Directors William Bishop-Stephens, Christopher Eales. 2014, UK.

·         World of Tomorrow, Director Don Hertzfeldt. 2015, USA.

Thanks to generous support provided by the Wyncote Foundation, the Festival continues the “PFF On Us” free ticketing program, providing complimentary tickets to all films in the American Independents and Documentary film categories. Tickets are available to the public, as well as in partnership with select organizations. PFF On Us also hosts weekday morning student screenings, presented in part by Peco and featuring the films Raiders!,Breaking A Monster, Learning By Heart and Umrika. To register for free tickets, visit www.filmadelphia.org/tickets.