Of course, "La La Land" has been having a great sweep of wins from critic and professional groups, including a historic clean sweep of its seven nominations from The Golden Globes on Jan. 8. "Moonlight" and "Manchester By the Sea" have also been given its fair share of love from a plethora of organizations.
Things seem to get a little interesting in a few races like, will Meryl Streep earn her record-extending 20th Oscar nomination for "Florence Foster Jenkins"? Will her co-star Hugh Grant earn his first nod for the film? Can Isabelle Huppert finally break into the Oscar race for her leading turn in the French film "Elle"? Will "Nocturnal Animals" be more of a contender than we thought?
My predictions for the highest award in the film world are based on the usually tea leaves of accolades presented so far, and some "Gotcha!" nominations that usually sneak in.
Nomination will be announced on Jan. 24, and in a new format, no less!
Best Picture
Arrival
Hacksaw Ridge
Hell or High Water
Jackie Hidden Figures (added 1/20)
La La Land
Manchester By the Sea
Moonlight
Nocturnal Animals
Best Director
Damien Chazelle, "La La Land"
Mel Gibson, "Hacksaw Ridge
Barry Jenkins, "Moonlight"
Kenneth Lonergan, "Manchester By the Sea"
Denis Villeneuve, "Arrival"
Best Actor
Casey Affleck, "Manchester By the Sea"
Andrew Garfield, "Hacksaw Ridge"
Ryan Gosling, "La La Land"
Viggo Mortenson, "Captain Fantastic"
Denzel Washington, "Fences"
Best Actress
Amy Adams, "Arrival"
Isabelle Huppert, "Elle"
Natalie Portman, "Jackie"
Emma Stone, "La La Land"
Meryl Streep, "Florence Foster Jenkins"
This blog will review the hottest in movies, music, and anything else that's hot in pop culture, sometimes with Delco flair. Check back frequently to see what will be getting in the spotlight!
Showing posts with label 2016 movies. Show all posts
Showing posts with label 2016 movies. Show all posts
Saturday, January 14, 2017
Wednesday, October 19, 2016
25th Philly Film Fest Preview- The 'Arrival' of a fest in 'La La Land'
The Philadelphia Film Festival will officially be 25 years strong when "La La Land" opens up this year's cinephile extravaganza on Thursday night at The Prince Theater and ushering in 10 days thereafter of interesting fare.
"La La Land" is one of the top films poached from the big film festivals that have come before PFF, followed up by "Jackie", "Manchester by the Sea" and "Toni Erdmann" just to name a few, closing out with the sci-fi film "Arrival".
Even though I think the festival is just a draw of big films that have trickled down to the region without hosting any big premieres of its own to speak of, the festival is always an entertaining mish-mash of greatness, misery, the befuddling and even audience chaos.
Last year's closing weekend was a wonderful macabre of what a festival should (not) be. When Michael Moore arrived closing night for a Q&A following a screening of his film "Where to Invade Next", journalist Buzz Bissinger heckled Moore for the claims he made in his newest feature. That provided nice banter for the audience to absorb.
But then two days later, on the very last day of the festival in one of the final screenings, the 3D sex romp "Love" screened 80 minutes late. I wrote about it here, but it was probably one of the festival's worst moments in its history. "Love" was the only 3D screening last year, and on the last day, yet they couldn't get the specs right.
Alas, with no Moore or 3D features this year, the festival should go off without a hitch, and I hope it does.
I enjoyed most of the films I saw last year, but I did think the slate (that I saw at least) revolved around a theme of beating a dead horse. Too often was I watching stories that were so familiar, generic. This year, with a lovable teddy bear in "Toni Erdmann", a musical throwback to the Golden Era of film in "La La Land" and a inside look at The New York Times obituary section in "Obit" all seem like a winning batch.
Being cognizant of the changing scoci-political climate, a new sidebar section called State of the Union exhibits four documentaries that tackle cyber warfare ("Zero Days"), police militarization ("Do Not Resist"), prison solitary confinement ("Solitary") and medical care of undocumented immigrants ("ClĂnica de Migrantes").
There is sure to be something for every one this year, unless you were too late to buy tickets for "Paterson" and "Toni Erdmann" because they're sold out.
For ticket and screening info visit filmadelphia.org/festival.
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