Movie Reviews: Great Actresses Highlight Sublime 'Maps to the Stars' and 'Deux Jours, Une Nuit'

At this year's Cannes Film Festival there were two actresses who generated a lot of buzz to win the best actress prize: Julianne Moore as a self-destructing actress in "Maps to the Stars" and Marion Cotillard as a woman trying to get her job back in "Deux Jours, Une Nuit (Two Days, One Night)". Moore walked away with the prize, but who's to say one performance was truly better than the other?

These are two different roles in two vastly different movies and the end result are two great films with strong empowered women driving them to greatness.

Maps to the Stars (2014, directed by David Cronenberg. U.S.A./Canada, English, Color, 112 minutes) No one can make a film more unpredictable and fluid than Cronenberg, and "Maps to the Stars" proves it. In this ensemble piece we follow the dark side of the Hollywood system. Julianne Moore is the driving force here as the washed-up, Lindsay Lohan-esque character Havana Segrand, who's trying to revamp her career. In her aura is her psychologist (John Cusack), his teenage movie star (Evan Bird), a limo driver (Robert Pattinson) and a recent L.A. transplant named Agatha (Mia Wasikowska) with mysterious motives.

All of the stars align in this unpredictable and totally engaging piece about the Hollywood machine, thanks in great part to Bruce Wagner's script and Julianne Moore's tip-top performance. Never have I seen Moore act like such a Hollywood wreck, and I enjoyed it so much. From an actress who has played so many dramatic characters, here she does a 180 as a partying, completely unstable product of overindulgence and a lack of  talent... like Lindsay Lohan. Equal parts haunting, funny and sad, "Maps to the Stars" balances a lot of characters and storylines flawlessly and with delicate care to each. You may not like some of the characters, but who in Hollywood is ever likable? At least this tries to explain it.

Rating: A

 

23rd Philadelphia Film Festival: Days 1-4

It's here! The 23rd Philadelphia Film Festival is finally underway, and with a good slate of films from all over the world.

The over 100 selections have already had people lining up outside the theaters with their badges and tickets eagerly waiting to see some of the critically acclaimed films that have already made the rounds at international film festivals, from "Birdman" to "Mommy" and foreign language film Oscar hopefuls in "Force Majeure" and "The Way He Looks".

With so much to see, the Philadelphia Film Society, which coordinates the festival, proudly touts that during the 11-day festival you will "see something you'll never forget". Whether these be films that are great or so bad that you'll never forget it, PFF has a line-up that will guarantee some hits and definitely some misses.

Seeing as this was my first time attending a real festival with a badge - last year I bought tickets for four films - I was ready to start binge watching with long days and tons of experiences. There's nothing like spending a day at the movies seeing three or more films in a day. I thought it would be extremely tiring, but it was pretty enjoyable, even when every film you see is foreign and you have to stay awake to read the subtitles.

As I was highly anticipating many films, I soon found that only three days of movie watching I was watching a whole bunch of new movies with tired, redundant stories that brought nothing new to cinema. (Scroll down to the bottom for ratings)