Tuesday, September 26, 2017

Movie Review: 'Wonderstruck' left me wonderstruck

Julianne Moore portrays older Rose in "Wonderstruck". Roadside Attractions

Wonderstruck 
(2017, directed by Todd Haynes. U.S.A., English, Color/B&W, 117 minutes) The misconception about children being the main focus of a film can be that it will be written off as a kids film. Well, that's not always true (e.g. "It"). Todd Haynes' "Wonderstruck" has two kids as the protagonists in a film that is a little more deep than what could be considered kid-friendly. Haynes brings as much love and compassion to his young lead actors as he did in the forbidden love story of his last feature, "Carol", without dumbing down the characters to draw in the "Despicable Me" audience.

Wednesday, September 6, 2017

Movie Review: Scary is not what 'It' is

Warner Bros.
It (2017, directed by Andy Muschietti. U.S.A., English, Color, 135 minutes) Imagine planning a party for someone. You get all of the close friends and family together for months to prepare for a great memory for everyone. It's been promoted all over social media while people gab with each other in special messaging sessions and event walls to get everything ready. The day of the event is here and everyone is waiting for that special honoree, the space overflowing with excitement in anticipation of the big "SURPRISE!" burst to greet them. When the honoree comes, they say "you took me away from my day for this shit?"

Sunday, September 3, 2017

Movie Review: 'Victoria & Abdul' keeps it short and sweet

Focus Features

Victoria & Abdul (2017, directed by Stephen Frears. England, English, Color, 112 minutes) It has been 20 years since Judi Dench last played Queen Victoria in "Mrs. Brown", and what a perfect way to return to the role that earned her her first Oscar nomination than with a story that takes place in about the same timeframe where that film left off? Like in "Mrs. Brown", the matriarch finds herself enamored with a younger man, but this time it's a young Indian, Muslim servant named Abdul. It's a timely story about cross-cultural interactions among people, but it never has that heft that makes it anything more than a lighthearted piece of social commentary.