Saturday, July 29, 2017

Theater Review: Regional debut of 'Hunchback' rings triumphant

Pat Walsh as Quasimodo in Upper Darby Performing Arts Center's "The Hunchback of Notre Dame" Rachel Lombardo
The Upper Darby Performing Arts Center production of "The Hunchback of Notre Dame" this weekend has prompted a couple of firsts: one, it was the first performance I've ever seen at the PAC, and second, this was the first regional production of the stage version off-shoot of the 1996 Disney animated musical. After the first "Hunchback" performance on July 28, I asked myself in amazement why I hadn't been to shows at the PAC before, then I wondered why more theaters weren't putting on this gorgeous, grandiose show. I couldn't answer the former, but the enormity of the production answers the latter.

"Hunchback" is an elaborate and big musical based on the Victor Hugo novel about the grotesque Quasimodo that takes place on a single 30-foot tall cathedral set that houses a 30-member chorus, features a stain glass impression and is decorated with large bells, kind of like the real Notre Dame in Paris.  At the helm for the Philadelphia-area premiere is the PAC's own Jeff Dietzler who is graced with having such a large venue to host the massive production and having all of the talent needed on- and off-stage to tackle the epic production.

Wednesday, July 26, 2017

Movie Review: 'Detroit' burns down with its message


Detroit (2017, directed by Kathryn Bigelow. U.S.A., English, Color, 143 minutes) The most important thing about a society steeped in the arts and culture is the ability to observe our own behavior. Every form of media can be used to deliver a message about who we are, or who we have been, as a civilized group of people. In the history of American cinema we have seen film used to glorify the KKK ("The Birth of a Nation") and even excoriating a presidency ("Fahrenheit 9/11"). Needless to say, it's one of the most powerful and controversial mediums in the world for the stories it tells. "Detroit" is a movie presented as a contemporary art piece that exploits extremely raw emotions of modern events to create a telling of a previous heinous event in our history. The film is as empty, shallow and void of feeling as the society we live in.

Tuesday, July 18, 2017

Movie Review: 'Dunkirk' is an intense, beautiful film


Dunkirk (2017, directed by Christopher Nolan. U.S.A./U.K., English, Color, 106 minutes) In the realm of war movies, the most memorable one of recent years is 1998's "Saving Private Ryan" - even though "The Hurt Locker" is better. It's violent, it's bloody, there's a human interest aspect to it, and it has pretty boys in it acting out a young man's fantasy of shooting guns and fighting off the Nazis.

Almost 20 years later and Christopher Nolan releases "Dunkirk", a film with a keen eye for suspense and storytelling that it easily eclipses Spielberg's one-trick pony of a film.

Friday, July 14, 2017

Movie Review: Emotions sink like a stone in dried up 'Wind River'

The Weinstein Company
Wind River (2017, directed by Taylor Sheridan. U.S.A., English, Color, 111 minutes) In his directorial debut following his Oscar nomination for writing last year's "Hell or High Water", Taylor Sheridan continues his passion for crime with "Wind River", the incredibly mean-spirited and drab story about a young girl found frozen to death in the middle of a Wyoming Indian reservation. Jeremy Renner and Elizabeth Olsen team up as the Fish and Wildlife Service officer and FBI agent, respectively, tasked with combating personal conflicts and cultural differences to solve the crime in the barren, frozen lands.


Saturday, July 8, 2017

Movie Review: 'Lady Macbeth' is a powerful masterclass

Lady Macbeth (2017, directed by William Oldroyd. England, English, Color, 89 minutes) Lady Macbeth is a memorable figure in Shakespeare's epic tragedy "Macbeth," but the film "Lady Macbeth", an ode to the manipulative wife of the titular character, is not the main character of this film. Instead, a young bride named Catherine is the driving force of this morbid story set in mid-19th century rural England, but her affects are reminiscent to those of the Lady herself. 

Monday, June 5, 2017

Movie Review: Simmering tension ignites 'The Beguiled'

Courtesy of Focus Features
The Beguiled (2017, directed by Sofia Coppola. U.S.A, English, Color, 94 minutes) A group of young women, their teacher and the headmistress are confronted with a shocking reality that has yet to fall before them. A wounded Union soldier is brought to them in to their Virginia school during the thick of the Civil War. But it's not the war lying right there at their doorstep that's intrusive for them. Oh no. It's the ruggedly handsome soldier who inflames repressed sexual tension among the women, and it fills the screen with an intensity that slowly explodes over the course of 90 minutes.

Friday, April 7, 2017

Media Film Festival Returns Tonight!



Grab the popcorn and the quarters for the parking meters because the Media Film Festival is back.

The homegrown festival dedicated to local and international short films returns for its 10th outing on April 7 and 8 with a lineup of 36 films that include student-produced narratives, world premiere showings and a block of horror films.

“It just gets to be more and more fun every year,” said the festival’s marketing director Emily Scheivert. “It’s wonderful, so much fun to put together.”

To find selections for the fest, a dozen members of a screening jury watched 100 submissions to weed out the best, the worst and those in the middle. It was mathematical, for the most part, to pick this year’s selections.

“While the scoring, the balloting is important there is sometimes a bit of subjectivity in that middle area …. Sometimes you go back to judgment night (when final selections are chosen) and then pick who they like best,” said Scheivert.